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) Read more: Tom Morello on Tool’s new album: “Mysterious, deep, sexy and very Tool.” If Keenan were King Of America, each home would own a copy of Peter Gabriel’s Passion. Produced by David Bottrill and clocking in at 77 minutes, it’s a harrowing collection of atmospheres and musical tributaries that doesn’t fit into tidy little slots like “metal” or “alternative,” or the grandfather of all musical categories used when your songs run over five minutes, “progressive.” (When Tool were asked if there were one band common to their individual record collections, Carey and Jones settled on King Crimson and the Melvins.
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Three-and-a-half years in the making, Ænima was released in 1996. Manager and Lollapalooza co-founder Ted Gardner installed Tool on the second stage of Lollapalooza ’93 for a few weeks before he graduated them to the main stage. Not that any of the million-plus owners of Undertow thought specifically in those terms regardless of the music’s air-punching/headbanging aspect, there was a tweaked aesthetic at work. Consider if Black Sabbath had been formed by literate art students rather than a bunch of British working-class blues growlers. The music inside the package was as claustrophobic and textured as the album artwork-graphic images of an obese woman, X-rays and grimy portraits of the band that scream homage to macabre photographer Joel-Peter Witkin. Tool’s full-length debut, Undertow, was released in April 1993. The quartet’s synergy of atmospheric metal riffage and Keenan’s idiosyncratic vocal style was welcomed by audiences friendly to the stylistic inversions made to hard rock by bands such as Soundgarden and Rage Against The Machine. (Incidentally, that’s Keenan singing the falsetto phrase “not by the hair of my chinny-chin-chin” on Jelly’s only hit, “Three Little Pigs.”) Later that year, Tool signed with Zoo, who released their cement-mixer-heavy EP Opiate in 1992. Jones and Keenan formed Tool in 1991, enlisting Paul D’Amour to play bass and workaholic drummer Carey, who was holding down a straight nine-to-five job while playing with Carole King, Pigmy Love Circus and local country bands, as well as with comedy-metallers Green Jelly. You can see nature you may understand the basics of it, but you can still enjoy it, and it can affect you in many ways. “Why do we have to explain everything? Entertainment can be like going in the woods. “Most people think, ‘What are you guys about? Explain yourselves, your music, your videos,’” Jones says disgustedly.
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Read more: Tool prove ‘Fear Inoculum’ was worth the 13-year wait-review If facts, lyrics and assorted minutiae are what you’re seeking from Tool, here is a public service announcement: Tool advise you to think for yourself before somebody does it for you. What motivates the band-guitarist Adam Jones, drummer Danny Carey, singer Maynard James Keenan and bassist Justin Chancellor-to create lengthy rock opuses in a culture where ennui sets in at the touch of a remote-control unit? You want to know the band’s lyrics, examine their belief systems and ponder the significance of the floating eyes, the contortionist and the other shifting images that appear on the cover of Tool’s new Zoo album, Ænima. You are reading this story because you want to know what inspires the four members of Los Angeles band Tool.